Settle in, folks. This is going to be a long one. I am ridiculously excited about this release. Jacinta Howard is one of my favorite authors. And I’ll tell you why in a minute, but let me just start with my review of ‘Loving Cassie’ .
This book, like all this author’s books, has a mood and rhythm all its own, that reminds me of the music that her characters in The Prototype Series create—deep, soulful, incredibly memorable. And Bam and Cassie’s story continues that trend.
Bam is the percussionist in the soul band The Prototype, who we met in previous novels as the loveable comic relief, the counterpoint to all of the angst that seems to swirl around his friends. But in this story, his story, we learn that Bam is just as focused on his craft as the other members
of the band, just as steadfast underneath all the jokes. Like his bandmates, he also has some pretty complicated stuff to contend with, including the difficult family histories or distant parents that seem to typify the experience of almost all the band members in one way or another. The members of The Prototype understand each other in ways that their families of birth don’t always understand them, and Bam’s experience is no different.
Still, despite his frivolous façade, Bam actually has things pretty well under control—he has a lover who he enjoys, and who enjoys him, and who understands his limits where commitment of time and emotion are concerned; and he has a fatalistic attitude about his distant relationship with his mother, and his almost non-existent one with his father. He doesn’t agonize about much of anything, he just gets on with it, recognizing that if he puts the time and work in with the band, he’s going to wind up in a different place from where he is now as a struggling college student.
As an aside, I never hesitate to say this about Jacinta Howard’s characters: they are not frivolous. Young, yes, but frivolous, no. And I don’t mean they don’t display frivolity in their behavior, what I mean is, as an author Howard respects them, even though they’re young. Their feelings, experiences and aspirations are not portrayed in a way that’s too … cute, or too precious. The significance of their story is never minimized because they’re just on the cusp of embarking on more adult lives. Some writers write new adult characters with a tone that’s almost glib, as though they’re patting them on the head and going, ‘Isn’t that sweet? You think you’re in love!’ or, ‘Aw! You crazy kids!’ With that approach, you feel the writer’s outsider perspective in their tone and so what should be earnest comes across as disingenuous. Jacinta Howard doesn’t do that. She pulls you back to that time in your life, if you’ve already passed it; or she roots you in it, if you’re currently there. She empathizes with her characters in a way that is clearly genuine.
Back to the review: so Bam is, despite the joking around, a young man on very firm footing. Knows who he is, and where he’s going. Enter Cassie, his bandmate Kennedy’s (from ‘Finding Kennedy’) somewhat flighty sister, who is like a whirlwind in more ways than one. She’s rebounding from the end of a long relationship and doing her “free Black girl” thing, rolling where the wind takes her and trying to temper her penchant for occasionally causing “drama.” This time, she tells herself, she’s going to straighten out, starting with putting a codependent relationship behind her. But … then comes (as Cassie later reflects on their connection): Bam:A sudden impact or occurrence.
Together, she and he are combustible, something neither of them wants, but both are powerless to resist. Their respective plans, resolutions and routines are up-ended by their connection. Bam has to learn to deal with Cassie’s changeable, volatile and unpredictable nature; and she must learn to trust that Bam’s steadfastness is not a mirage, and that he will not fail her. What one has, the other lacks, but together, there is balance. Watching them go through the process of trying to reach balance was fun, nerve-wracking in a way only passionate people can be, and all kinds of sexy. That’s all I’m gonna say, other than READ THE BOOK.
Back to why I love this author. I feel like she’s not just entertaining us, but documenting a time. A kind of revolution in Black creativity. I feel like we lost it for a while behind a focus on flashy commercialism, but things are changing and Black creatives are more mindful of their place in our story. For sure, there have always been young Black artists who are in it for the artistry, and not for the glory. We don’t hear about them much, because … again, they’re not in it for the glory. Still, far fewer books—especially contemporary relationship-focused fiction, or romance—look at the grit, the struggle, the sacrifice, the determination and the pure love of an art (in this case, music) in
the way Jacinta Howard does. And fewer still allude to the existence of a quiet tribe of young Black creatives who do it #ForTheCulture; the ones for whom,maybe the fame comes, maybe it doesn’t, but they press on because the work itself has inherent value. I feel like that about this author’s work. I know that out there, there’s a reader who wants to see a dimension of us that’s not as frequently portrayed in modern Black romance. So I think it’s pretty cool that Jacinta Howard is giving us other stories, not as frequently told stories about Black people, Black love, and Black art. You know … for the culture.