So you may or may not have noticed that I’ve been away for a while. Not literally, but figuratively. I haven’t blogged, haven’t done as much online promotion of my work, and definitely haven’t been writing with the same regularity. Instead I’ve been reading, working, falling in love with my partner and out again, and in love again … and so on, playing, traveling, hanging with friends, making some enemies (yeah, for real) and living, basically. And so there it is–not sexy, but that’s my excuse for not getting ‘The Education of Miri Acosta’ out this month. More about that later, but for now, let me just say … I’m back in the saddle and rearing to go.
I guess I could leave it at that, but I’m not going to. I want to tell you what I’m going to be up to next, because as solitary as the writing part of writing is, the rest is a group exercise. You read what I write (thank God) and you sometimes like it, and sometimes you write me notes, leave me comments and give me the fuel that gets me through the rough spots, or the encouragement to up my game next time. And a lot of readers give me ideas–for characters and plot points I might consider, or even entire books I might write. I can feel a lot of you out there rooting for me, waiting for me, and believing in me, or I’ve seen you, posting the gentle social media nudge to ‘get back to work already’.
All of it is appreciated.
There’s something writers don’t always tell you but I’m going to let you in on the secret. You ready? Here it is: there was a time when we wrote furtively, secretly, quietly and alone (some of us still do). We wondered whether there would ever be another soul, besides a lover, a friend, or a family member who read what we wrote and cared about it. We silently suffered with the knowledge that though the writing itself was fulfilling, it wasn’t always enough–we wanted someone else to hear our voice on the page and tell us it was good. That’s the secret. The ‘pressure’ we moan about, the pushes and nudges to ‘get back to work already’ are part of the dream, almost as much as the writing itself. To know that you contribute to the richness of the human experience with your words alone? Man, for me there is no high higher than that.
So now that I’ve admitted that I am not so cool that I can pretend not to give a shit what readers think, back to my plans. ‘The Education of Miri Acosta’ is next up. August was the plan, but it’s now mid September. I won’t give a precise date because you know I never meet those deadlines anyway and it causes me heartburn when I know people are waiting and I’m not delivering. But about the book: I like this one. It’s more ‘pure romance’ than anything I’ve written in a while, about young love, crazy passion; learning that who you are is not who you may have planned to be, and figuring out that book smarts don’t equal emotional intelligence. It that strikes your fancy, read the blurb on Goodreads, here.
Following Miri’s story will be the one I’ve been dying to complete, Lorna Terry’s comeuppance, which is working titled ‘Art and Soul’. In that one, the mother of Riley, (who you may remember from ‘Commitment’, etc.) meets her match in a somewhat younger lover who is not intimidated by her radical feminism, and who forces her to face some of the consequences from her choices in the past; and to confront the possibility of a very different future than the one she envisioned. Meet Lorna and her intrepid younger man by reading these shorts: ‘Forty-Six’ and ‘Stalemate’.
And finally, on the encouragement of a writer-friend, and because I’m a sucker for people’s requests for “more” of a couple, I am working on Jamal and Makayla’s follow-up to ‘The Come Up’, this one titled ‘The Takedown’, will follow the very real challenges to the unlikely (and some say mismatched) couple’s relationship. It’ll also follow Jamal’s ascension to the pinnacle of his career, and Makayla being thrust even deeper into a life she’s ambivalent about at best, and outright distrustful of at worst. For me, the cool stories happen when a couple is together but external and internal conflicts work against them–the stuff that comes after the ‘I-love-yous’ are said and believed. This book will hopefully be one of those ‘cool stories’.